My practice involves working across object installations, video art, and drawings, with a focus on exploring the aesthetics of new materialism as a "process of self-colonization" influenced by popular culture and rapidly advancing technologies. By reinterpreting and appropriating different aesthetics, I critically reflect on contemporary identity politics, examining how cultural forces shape our understanding of self and the world around us.
Drawing from feminist, post-colonial, ecological, and post-Marxist thought, my work investigates themes such as ritual, ecology, animism, and identity within the context of post-media space. I employ a strategy of layering time, mixing elements from the past, present, and speculative future, to disrupt traditional rules of perspective and composition. This approach allows me to decolonize visual representation and question the cultural structures that shape our visual and spatial perceptions.
Posthumanism plays a central role in my practice. I question anthropocentric perspectives, exploring how technology, landscapes, and non-human entities can shape reality in a post-apocalyptic context. By decentering the human subject, I reflect on how these forces interact to create a dystopian or speculative vision of the future, where survival and identity are continuously renegotiated. My work invites viewers to reflect on how these post-apocalyptic, posthuman themes influence our connection to the world, urging us to reconsider agency and identity in a reality mediated by cultural collapse and technological evolution.